Here's a look at what's been selling in Japan this year: Amazon Japan's 50 bestselling BL manga in 2013, covering the period 1st Dec 2012 - 30th Nov 2013. The date following each title is the publication date of the volume. Yoneda Kou rules, so much so that Doushitemo Furetakunai, published in 2008, has creeped back into the top 50.
1. Saezuru Tori wa Habatakanai 1 by Yoneda Kou
30/01/2013
2. NightS by Yoneda Kou
09/02/2013
3. Sekai Ichi Hatsukoi 8 by Nakamura Shungiku
31/07/2013
4. Finder no Katsubou (limited cover edition) by Yamane Ayano
10/08/2013
5. Finder no Katsubou (limited first edition) by Yamane Ayano
10/08/2013
6. Crimson Spell 5 by Yamane Ayano
25/03/2013
7. Michi to no Souguu by Koshino
09/03/2013
8. Sunao ja nai Kedo by Sakuraga Mei
28/02/2013
9. Junjou Romantica 17 by Nakamura Shungiku
30/08/2013
10. Saezuru Tori wa Habatakanai 2 by Yoneda Kou
01/11/2013
11. Toshishita Kareshi no Renai Kanriguse by Sakurabi Hashigo
17/07/2013
12. Junjou Romantica 16 (premium anime DVD edition) by Nakamura
Shungiku
19/12/2012
13. Gengetsurou Kitan 4 by Ima Ichiko
25/09/2013
14. Sex Pistols 7 by Kotobuki Tarako
10/06/2013
15. In These Words by Guilt | Pleasure
10/09/2012
16. Junjou Romantica 16 by Nakamura Shungiku
28/12/2012
17. Hana wa Saku ka 4 by Hidaka Shouko
24/04/2013
18. Punch ↑ + Jinan Joutou by Kano Shiuko
09/03/2013
19. Kachou Fuugetsu 2 (limited first edition) by Shimizu Yuki
30/04/2013
20. Kachou Fuugetsu 1 by Shimizu Yuki
30/04/2013
21. Bukiyou na Silent 4 (special edition) by Takanaga Hinako
09/03/2013
22. Gosan no Heart by Ogawa Chise
10/04/2013
23. Super Lovers 6 by Abe Miyuki
31/10/2013
24. Hana no Miyako de by Takarai Rihito
09/03/2013
25. Kuroneko Kareshi no Amaekata by Sakyou Aya
30/09/2013
26. Stroboscope by Yamashita Tomoko
10/12/2012
27. Yoso wa Yoso, Uchi wa Uchi (limited first edition) by Kitakami Ren
30/01/2013
28. Hakkenden - Touhou Hakken Ibun 12 by Abe Miyuki
28/12/2012
29. Hakkenden - Touhou Hakken Ibun 13 by Abe Miyuki
28/06/2013
30. Koishii Akuma by Madarame Hiro
24/12/2012
31. Mauri to Ryuu by Moto Haruhira
10/05/2013
32. Aitsu no Daihonmei 6 by Tanaka Suzuki
10/04/2013
33. Nawa ga Nakutemo Daijoubu by Shoowa
29/01/2013
34. Kono Ore ga Omae Nanka Suki na Wakenai by Ogawa Chise
27/02/2013
35. Kuroneko Kareshi no Asobikata by Sakyou Aya
29/09/2012
36. Mousou Elektel 4 by Nekota Yonezou
03/07/2013
37. 10 Dance 1 by Inoue Satou
16/02/2013
38. Ikasama Memory 2 by Natsume Isaku
30/10/2013
39. Samejima-kun to Sasahara-kun by Koshino
20/03/2011
40. K-sensei no Yaban na Renai by Natsumizu Ritsu
29/07/2013
41. Doushitemo Furetakunai by Yoneda Kou
01/09/2008
42. Heart no Kakurega 1 by Natsume Isaku
30/05/2013
43. Choco Strawberry Vanilla by Psyche Delico
17/09/2013
44. Castle Mango 2 by Konohara Narise & Ogura Muku
30/09/2012
45. Hima Nano de Hajimete Mimasu. by Sakyou Aya
30/03/2013
46. Nozomubeku mo Nai by Masao Sangatsu
30/01/2013
47. Mujihi na Anata by Sakuraga Mei
29/09/2012
48. Konoyo Ibun 7 by Suzuki Tsuta
10/05/2013
49. Sekai wa Kimi de Mawatteru by Ogawa Chise
10/05/2013
50. Ore to Buka no Koi no Saki by Nanameguri
29/05/2013
Wednesday, 11 December 2013
Thursday, 24 October 2013
The Man of Tango by Okadaya Tetuzoh
Rating: 7
Sublime 2013 - Ohzora Shuppan 2013 (this edition)
Magazine serialisation 2008
1 volume
Translation: Ivana Bloom
"Che Tango Che
You drugged me
Confused me
Led me
Jerked me around
Excited me
Played me
You threw me away
You hurt me
And yet you were the only thing that truly loved me."
The story begins with a friend telling Angel "Angie" Almodóvar that he is a man very much like tango itself; he loves with passion, without deceit, and even if the affair is fleeting, his lovers are grateful for the memory of it. However, he gives so much of himself that there is nothing left at the end of the affair; the friend worries for his future. Flash forward many years, Angie is older, jaded, and simply feels nothing by the end of a relationship. He is a dance instructor in Tokyo and teaches his students that tango is like a conversation through dance; in private, he tells his dance partner, Bene, that his seemingly passionate dancing is just an act, much like his relationships, that it isn't the real him. Then he meets Hiro, a half-Japanese, half-Latin office worker, who ignites the true passion in both Angie's dance and heart.
The Man of Tango is a sexy seductive story, befitting of its tango theme. It's a pretty straightforward romance at its core but the dancing adds an extra dimension to the story. "Che Tango Che", the title of the prologue chapter, is the title of an actual song. In the mangaka's commentary, she recounts her discovery of the CD that sparked her interest in Argentine tango, and along with Che Tango Che she uses lyrics from another of the album's songs (Años De Soledad) in the manga. Although the story is split something like 80% romance/20% tango, Okadaya's love of the dance and its music colours the story and the characters, adding vigour to the basic romantic plot.
There aren't many characters that can pull off being seductive without sounding corny, but Angie is one of them. He's a smooth talker but sincerity rings through all his words so that you believe he means every word and there really is no resisting the guy. Hats off to Okadaya for making this character work and thanks to Sublime for the sympathetic translation. Apart from a few confusing passages, on the whole I thought this was a fluid lyrical translation which really benefited the character of Angie.
Beyond his buff muscular exterior, Hiro (the crew-cut guy on the cover) is actually a cute clueless uke. He's normally aloof and detached but he loses all his cool before Angie's advances and turns into a flustered comical character; most of the laughs in the manga come from his reactions to Angie's smooth moves. I'm usually not a fan of flashbacks or memory montages but there's a really good brief montage of Hiro's sad past which I think is actually the best sequence in the book. The prose throughout the volume treads the line between passionate and cheesy, no more so than the very beginning when the reader is thrown straight in at the deep end and is expected to embrace the ardent language, something I found hard to do initially; Hiro's montage was the first step in pulling me into the story emotionally, and from then on it became easier to accept the mood and rhythms of the story.
There's a lot I like about this manga (one of which is a rare likeable female character, Bene) but its biggest problem is that it feels incomplete. We're not told anything of Angie's past. The friend who appeared in the prologue chapter seemed to foreshadow tragic events but he never appears again in the remainder of the book. There's a huge gap in time between the prologue and first chapter that's not referred to at all. More importantly, though I can understand Angie's attraction to Hiro, we don't see how their relationship progresses beyond the initial hookup so there's nothing much to convince the reader that this might not be another of Angie's fleeting affairs; it doesn't feel like the long-lasting love that the story set out to achieve for Angie. It's not that the story feels rushed, I think the pacing is nice and steady, it's more a case of there being a lot of story left untold. This was probably not the fault of the mangaka, in her commentary she has profiles and back stories for many of the side characters that appear in the book (and a couple that don't), which leads me to wonder if there are other stories that weren't compiled in this volume? Or did she not have the opportunity to publish those stories? Whatever the case, the volume as it stands needs a lot more story to beef up the plot and background.
A few words about the art. Well, you either like the style or don't. It's not to my personal liking but I always put way more onus on the story than the art so I tend not to be fazed by much. I'd say that even if you find the style off-putting, the story is good enough to overshadow any aesthetic aversions. Having said that, there are some drawings where the anatomical proportions are a bit off, something I find more distracting than the style of the art itself.
Sublime 2013 - Ohzora Shuppan 2013 (this edition)
Magazine serialisation 2008
1 volume
Translation: Ivana Bloom
"Che Tango Che
You drugged me
Confused me
Led me
Jerked me around
Excited me
Played me
You threw me away
You hurt me
And yet you were the only thing that truly loved me."
The story begins with a friend telling Angel "Angie" Almodóvar that he is a man very much like tango itself; he loves with passion, without deceit, and even if the affair is fleeting, his lovers are grateful for the memory of it. However, he gives so much of himself that there is nothing left at the end of the affair; the friend worries for his future. Flash forward many years, Angie is older, jaded, and simply feels nothing by the end of a relationship. He is a dance instructor in Tokyo and teaches his students that tango is like a conversation through dance; in private, he tells his dance partner, Bene, that his seemingly passionate dancing is just an act, much like his relationships, that it isn't the real him. Then he meets Hiro, a half-Japanese, half-Latin office worker, who ignites the true passion in both Angie's dance and heart.
The Man of Tango is a sexy seductive story, befitting of its tango theme. It's a pretty straightforward romance at its core but the dancing adds an extra dimension to the story. "Che Tango Che", the title of the prologue chapter, is the title of an actual song. In the mangaka's commentary, she recounts her discovery of the CD that sparked her interest in Argentine tango, and along with Che Tango Che she uses lyrics from another of the album's songs (Años De Soledad) in the manga. Although the story is split something like 80% romance/20% tango, Okadaya's love of the dance and its music colours the story and the characters, adding vigour to the basic romantic plot.
There aren't many characters that can pull off being seductive without sounding corny, but Angie is one of them. He's a smooth talker but sincerity rings through all his words so that you believe he means every word and there really is no resisting the guy. Hats off to Okadaya for making this character work and thanks to Sublime for the sympathetic translation. Apart from a few confusing passages, on the whole I thought this was a fluid lyrical translation which really benefited the character of Angie.
Beyond his buff muscular exterior, Hiro (the crew-cut guy on the cover) is actually a cute clueless uke. He's normally aloof and detached but he loses all his cool before Angie's advances and turns into a flustered comical character; most of the laughs in the manga come from his reactions to Angie's smooth moves. I'm usually not a fan of flashbacks or memory montages but there's a really good brief montage of Hiro's sad past which I think is actually the best sequence in the book. The prose throughout the volume treads the line between passionate and cheesy, no more so than the very beginning when the reader is thrown straight in at the deep end and is expected to embrace the ardent language, something I found hard to do initially; Hiro's montage was the first step in pulling me into the story emotionally, and from then on it became easier to accept the mood and rhythms of the story.
There's a lot I like about this manga (one of which is a rare likeable female character, Bene) but its biggest problem is that it feels incomplete. We're not told anything of Angie's past. The friend who appeared in the prologue chapter seemed to foreshadow tragic events but he never appears again in the remainder of the book. There's a huge gap in time between the prologue and first chapter that's not referred to at all. More importantly, though I can understand Angie's attraction to Hiro, we don't see how their relationship progresses beyond the initial hookup so there's nothing much to convince the reader that this might not be another of Angie's fleeting affairs; it doesn't feel like the long-lasting love that the story set out to achieve for Angie. It's not that the story feels rushed, I think the pacing is nice and steady, it's more a case of there being a lot of story left untold. This was probably not the fault of the mangaka, in her commentary she has profiles and back stories for many of the side characters that appear in the book (and a couple that don't), which leads me to wonder if there are other stories that weren't compiled in this volume? Or did she not have the opportunity to publish those stories? Whatever the case, the volume as it stands needs a lot more story to beef up the plot and background.
A few words about the art. Well, you either like the style or don't. It's not to my personal liking but I always put way more onus on the story than the art so I tend not to be fazed by much. I'd say that even if you find the style off-putting, the story is good enough to overshadow any aesthetic aversions. Having said that, there are some drawings where the anatomical proportions are a bit off, something I find more distracting than the style of the art itself.
Milva and Astor Piazzolla - Años De Soledad (Live at the "Bouffes du Nord" / En vivo en Paris, 1984)
Though Okadaya doesn't mention the name of the album nor artist of the CD that first got her into Argentine tango, I think, from what she does say, that this is the album referred to. Something to get you into the mood for the story!
Labels:
Okadaya Tetuzoh,
Sublime,
Tango no Otoko,
The Man of Tango
Tuesday, 1 October 2013
Blue Morning Sublime Translation Issues
I've bought many Sublime books since they started up and have been mostly happy with their translations so far, that is until Blue Morning. When I read volume one of Hidaka Shoko's Blue Morning (translation by Jocelyne Allen), there were a couple of passages that I found somewhat confusing; I put it down to the cryptic nature of the plot and didn't think too much of it. However, in the very first chapter of the second volume there is a passage confusing enough to distract me and call into question the accuracy of the translation.
I've compared it to the Japanese text and really think it could've done better. My Japanese is pretty mediocre, my translations are done with the help of a dictionary and I'm totally not sure if they're correct, but even so, they still seem to make more sense than the Sublime version.
This is the passage beginning on page 23 of the print edition, where Akihito finds an odd book in the library.
Sublime text:
"Was this book always here?
Wasn't there a poetry collection here?
It's totally different from the other books."
It's implied that there isn't currently a poetry collection there and that the book in question is not a book of poems. However, Katsuragi goes on to explain that the book was placed there by a former student who was fond of poetry and the like; this implies that the book actually is a volume of poems, which contradicts the above text.
Japanese text:
"こんな本あったか?
この辺り詩集の原本 じゃないか
他の書物とは全く毛色が違うな"
Romaji:
"Konna hon attaka?
Kono atari shishuu no genpon janaika
Hoka no shomotsu to wa mattaku keiro ga chigauna"
My translation:
"Was there always a book like this here?
Aren't all these books here original editions of poetry collections?
This one is a completely different type from the other books."
So what I think Akihito is saying is that it is a poetry book but of a different kind to the other poetry books around it.
~~~
Here's a comparison of another passage from chapter 1 where the Sublime translation just seems incorrect, page 6 of the print edition.
Sublime text:
"The houseboy Amamiya informed me that you're quite strong in Math and languages, but poor in theory, reading and the like.
He intimated that your head is somehow too thick and that finances can't make it through."
Again, there's a slight contradiction here, Katsuragi's good at maths but bad at finance? Sure, there's more to finance than maths but the remark doesn't quite follow on from the previous criticism of his theory/reading.
Japanese text:
"書生の雨宮から聞いたが, お前は数学や語学には強いが論読などは苦手なようだな
どうにも頭が固すぎるというか, 融通がきかないという口振りだったが"
Romaji:
"Shosei no Amamiya kara kiita ga, omae wa suugaku ya gogaku ni wa tsuyoi ga rondoku nado wa nigatena you dana
Dounimo atama ga katasugiru to iu ka, yuuzu ga kikanai to iu kuchiburi datta ga"
My translation:
"I heard from the live-in student, Amamiya, that you are strong in Math and languages but weak in discourse and the like;
that somehow you are too obstinate, that you are not adaptable in your opinions."
The two translations of the second line differ significantly due to the phrase 融通がきかない . 融通 on its own can mean finance, but 融通がきく taken as a phrase means to be flexible (きかない is the negative conjugation of きく). Also, I've used a different meaning of 論読, translating it as 'discourse' instead of 'theory/reading'. I can't find a dictionary entry for 論読 but 論 can mean theory or discussion so the word 'discourse', meaning written or spoken discussion of a subject, sounds appropriate to the context.
~~~
Another line that I immediately knew was wrong from the context, chapter 8 page 97, when Amamiya visits the Kuze house.
Sublime text:
"My! All that aside, it really is only the maids I don't know!
No matter how many years have passed."
This line indicates that Amamiya knows everyone in the household except for the maids, yet he goes on to say that it's only Kiku who recognises him and that he was nearly chased out, which is clearly a contradiction. Even without checking the original text, it's easy to guess that he's actually saying he sees only unfamiliar faces.
Japanese text:
"いや, それにしても知らない女中ばっかりだねえ!
いくら十年ぶりとはいえ"
Romaji:
"Iya, sorenishitemo shiranai jochuu bakkari danee!
Ikura juunenburi to wa ie!"
My translation:
"My, even so, I really don't know any of the maids!
Even if you say it's been ten years."
~~~
These examples are the few that I remember off the top of my head, I'm afraid I can't be bothered to check both volumes line by line but it's likely that these are not the only questionable lines dotted around. Some readers might have read or heard of the infamously bad DMP translation of Yoneda Kou's Doushitemo Furetakunai and won't be surprised to learn that the translator of that manga is the one and same now working on Blue Morning.
Again, I must stress that my Japanese is shaky at best (I learn from playing BL/otome games lol) so please do feel free to slap me down and correct me where I'm wrong. However, even if my translations are way off the mark, the above examples still serve to illustrate the inconsistencies in the text which should have been spotted by the editor. The majority of the translation reads fine so it's not like there are mistakes on every other page, it's just unfortunate that even a few blips can be enough to cast doubt on the entire translation.
Update: Another translation comparison added.
This is a passage from volume 1 that I found confusing and, sure enough, it doesn't bear up well under comparison. Selected lines from chapter 4 pages 149-150.
Sublime text:
"I asked the Dean and he said he'd attend.
...
As long as he brings in money, he can hide his origins.
...
I doubt he takes after his mother to that extent."
Japanese:
"学園長に聞いたが首席だそうだな
...
金さえ積めば出自など隠せるものだよ
...
あそこまで母親に似るとは思わなっかたからな "
"Gakuenchou ni kiita ga shuseki da sou dana
...
Kane sae tsumeba shuuji nado kakuseru mono dayo
...
Asoko made hahaoya ni niru to wa omowanakkata karana"
My translation:
" I asked the school Dean and it seems that he's the top student.
...
As long as you have money, even something like his origins can be covered up.
...
I didn't think he'd come to resemble his mother so strongly."
I've compared it to the Japanese text and really think it could've done better. My Japanese is pretty mediocre, my translations are done with the help of a dictionary and I'm totally not sure if they're correct, but even so, they still seem to make more sense than the Sublime version.
This is the passage beginning on page 23 of the print edition, where Akihito finds an odd book in the library.
Sublime text:
"Was this book always here?
Wasn't there a poetry collection here?
It's totally different from the other books."
It's implied that there isn't currently a poetry collection there and that the book in question is not a book of poems. However, Katsuragi goes on to explain that the book was placed there by a former student who was fond of poetry and the like; this implies that the book actually is a volume of poems, which contradicts the above text.
Japanese text:
"こんな本あったか?
この辺り詩集の原本 じゃないか
他の書物とは全く毛色が違うな"
Romaji:
"Konna hon attaka?
Kono atari shishuu no genpon janaika
Hoka no shomotsu to wa mattaku keiro ga chigauna"
My translation:
"Was there always a book like this here?
Aren't all these books here original editions of poetry collections?
This one is a completely different type from the other books."
So what I think Akihito is saying is that it is a poetry book but of a different kind to the other poetry books around it.
~~~
Here's a comparison of another passage from chapter 1 where the Sublime translation just seems incorrect, page 6 of the print edition.
Sublime text:
"The houseboy Amamiya informed me that you're quite strong in Math and languages, but poor in theory, reading and the like.
He intimated that your head is somehow too thick and that finances can't make it through."
Again, there's a slight contradiction here, Katsuragi's good at maths but bad at finance? Sure, there's more to finance than maths but the remark doesn't quite follow on from the previous criticism of his theory/reading.
Japanese text:
"書生の雨宮から聞いたが, お前は数学や語学には強いが論読などは苦手なようだな
どうにも頭が固すぎるというか, 融通がきかないという口振りだったが"
Romaji:
"Shosei no Amamiya kara kiita ga, omae wa suugaku ya gogaku ni wa tsuyoi ga rondoku nado wa nigatena you dana
Dounimo atama ga katasugiru to iu ka, yuuzu ga kikanai to iu kuchiburi datta ga"
My translation:
"I heard from the live-in student, Amamiya, that you are strong in Math and languages but weak in discourse and the like;
that somehow you are too obstinate, that you are not adaptable in your opinions."
The two translations of the second line differ significantly due to the phrase 融通がきかない . 融通 on its own can mean finance, but 融通がきく taken as a phrase means to be flexible (きかない is the negative conjugation of きく). Also, I've used a different meaning of 論読, translating it as 'discourse' instead of 'theory/reading'. I can't find a dictionary entry for 論読 but 論 can mean theory or discussion so the word 'discourse', meaning written or spoken discussion of a subject, sounds appropriate to the context.
~~~
Another line that I immediately knew was wrong from the context, chapter 8 page 97, when Amamiya visits the Kuze house.
Sublime text:
"My! All that aside, it really is only the maids I don't know!
No matter how many years have passed."
This line indicates that Amamiya knows everyone in the household except for the maids, yet he goes on to say that it's only Kiku who recognises him and that he was nearly chased out, which is clearly a contradiction. Even without checking the original text, it's easy to guess that he's actually saying he sees only unfamiliar faces.
Japanese text:
"いや, それにしても知らない女中ばっかりだねえ!
いくら十年ぶりとはいえ"
Romaji:
"Iya, sorenishitemo shiranai jochuu bakkari danee!
Ikura juunenburi to wa ie!"
My translation:
"My, even so, I really don't know any of the maids!
Even if you say it's been ten years."
~~~
These examples are the few that I remember off the top of my head, I'm afraid I can't be bothered to check both volumes line by line but it's likely that these are not the only questionable lines dotted around. Some readers might have read or heard of the infamously bad DMP translation of Yoneda Kou's Doushitemo Furetakunai and won't be surprised to learn that the translator of that manga is the one and same now working on Blue Morning.
Again, I must stress that my Japanese is shaky at best (I learn from playing BL/otome games lol) so please do feel free to slap me down and correct me where I'm wrong. However, even if my translations are way off the mark, the above examples still serve to illustrate the inconsistencies in the text which should have been spotted by the editor. The majority of the translation reads fine so it's not like there are mistakes on every other page, it's just unfortunate that even a few blips can be enough to cast doubt on the entire translation.
Update: Another translation comparison added.
This is a passage from volume 1 that I found confusing and, sure enough, it doesn't bear up well under comparison. Selected lines from chapter 4 pages 149-150.
Sublime text:
"I asked the Dean and he said he'd attend.
...
As long as he brings in money, he can hide his origins.
...
I doubt he takes after his mother to that extent."
Japanese:
"学園長に聞いたが首席だそうだな
...
金さえ積めば出自など隠せるものだよ
...
あそこまで母親に似るとは思わなっかたからな "
"Gakuenchou ni kiita ga shuseki da sou dana
...
Kane sae tsumeba shuuji nado kakuseru mono dayo
...
Asoko made hahaoya ni niru to wa omowanakkata karana"
My translation:
" I asked the school Dean and it seems that he's the top student.
...
As long as you have money, even something like his origins can be covered up.
...
I didn't think he'd come to resemble his mother so strongly."
Labels:
Blue Morning,
Hidaka Shoko,
Hidaka Shouko,
Sublime,
Yuuutsu na Asa
Thursday, 19 September 2013
Blue Morning 2 by Hidaka Shoko
Rating: 6
Sublime 2013 - Tokuma Shoten 2009
5+ volumes
Translation: Jocelyne Allen
Volume 1 ended at an extremely unsatisfactory point with student Viscount Kuze Akihito forcing his butler Katsuragi Tomoyuki into a relationship in exchange for acceding to Katsuragi's mission of promoting Akihito through the ranks of society. Most of the volume had been spent on setting up the story, its characters and background, and when the romantic storyline made a first showing late in the volume, it did so rather abruptly and unpleasantly with an act of sex shadowed by violent overtones. I didn't think much of either character by the end of the book and hoped that volume two would change my mind. Which it has done. This volume has totally got me rooting for the couple and fearing for what can only be a future laced with tragedy for them.
The main problem with the first volume was that there was very little to like about Katsuragi. The story was mostly told from Akihito's point of view which established the character of Katsuragi as a cold, efficient, unflappable butler. This second volume is told mostly from Katsuragi's point of view and what a difference that makes because finally we get a character we can sympathise with. The reader is fed tidbits about Katsuragi's mysterious past through the course of the volume and confirms what was hinted at in the first volume, that Katsuragi is not a biological son of the Katsuragi family and was taken in by the former Viscount Kuze with a view to raising him as the Kuze successor, a plan that ended with the birth of an heir, Akihito. The story paints a picture of a young boy, rejected by what he thought was his birth family, given the chance to begin afresh with a new family only to be rejected again, in the end not belonging to either family and having no place in the world except for the job given him by the former Viscount. It's easier to understand Katsuragi's obsession with his task of raising Akihito, given the sad circumstances of his upbringing.
What really makes Katsuragi a likeable character, and not just a pitiable one, however, is the change in feelings he experiences, the thawing of his coldness. Akihito is relentless with his love, demanding that Katsuragi look at him as a person and not as the Viscount Kuze, and bit by bit, Katsuragi does start seeing Akihito for the person he is, for the man he is becoming, and as new feelings develop inside Katsuragi, he begins to stray from the single-mindedness of his mission. He's never known love of any kind in his life and he doesn't know how to deal with Akihito or his own emotions. As despicable as Akihito's behaviour is, his very forcefulness turns out to be his redeeming feature as nothing less will get through to the Katsuragi so entrenched in the belief that he must fulfil his duties to prove his worth.
This second volume is all about the romantic storyline and it's developing into a strong one; unfortunately, this happens at the expense of everything else. To put it bluntly, Hidaka just isn't very good at writing intrigue. The plot requires Katsuragi to be a manipulator but the bare bones scenes of him wheeling and dealing in business and society are not particularly interesting. There's a distinct weakness in the secondary characters. Their sole purpose is to provide information about Katsuragi and Akihito and there is not a single one that I find interesting in and of themselves. Anything of consequence that happens in the plot, and there is very little that does happen, only occurs in order to further the romantic storyline. The result is that whenever the story strays from the romantic thread, it becomes rather dull and has the feel of a mandatory scene required to move the plot along. However, Katsuragi and, to a lesser extent, Akihito are strong enough characters that they carry the story comfortably, enough so that the slower patches of the narrative can be endured for the sake of learning more about the pair.
On the romantic front, volume two has delivered and I look forward to seeing how this relationship unfolds. On the story front, I'm disappointed. The plot is thin and I see little hope of that improving. On the series as a whole so far, it's interesting but not exciting. I'll still continue reading but I doubt I'll be jumping on the fan bandwagon for this particular series.
~~~~~
There are some issues with the translation which I've written about in a separate post: here.
Sublime 2013 - Tokuma Shoten 2009
5+ volumes
Translation: Jocelyne Allen
Volume 1 ended at an extremely unsatisfactory point with student Viscount Kuze Akihito forcing his butler Katsuragi Tomoyuki into a relationship in exchange for acceding to Katsuragi's mission of promoting Akihito through the ranks of society. Most of the volume had been spent on setting up the story, its characters and background, and when the romantic storyline made a first showing late in the volume, it did so rather abruptly and unpleasantly with an act of sex shadowed by violent overtones. I didn't think much of either character by the end of the book and hoped that volume two would change my mind. Which it has done. This volume has totally got me rooting for the couple and fearing for what can only be a future laced with tragedy for them.
The main problem with the first volume was that there was very little to like about Katsuragi. The story was mostly told from Akihito's point of view which established the character of Katsuragi as a cold, efficient, unflappable butler. This second volume is told mostly from Katsuragi's point of view and what a difference that makes because finally we get a character we can sympathise with. The reader is fed tidbits about Katsuragi's mysterious past through the course of the volume and confirms what was hinted at in the first volume, that Katsuragi is not a biological son of the Katsuragi family and was taken in by the former Viscount Kuze with a view to raising him as the Kuze successor, a plan that ended with the birth of an heir, Akihito. The story paints a picture of a young boy, rejected by what he thought was his birth family, given the chance to begin afresh with a new family only to be rejected again, in the end not belonging to either family and having no place in the world except for the job given him by the former Viscount. It's easier to understand Katsuragi's obsession with his task of raising Akihito, given the sad circumstances of his upbringing.
What really makes Katsuragi a likeable character, and not just a pitiable one, however, is the change in feelings he experiences, the thawing of his coldness. Akihito is relentless with his love, demanding that Katsuragi look at him as a person and not as the Viscount Kuze, and bit by bit, Katsuragi does start seeing Akihito for the person he is, for the man he is becoming, and as new feelings develop inside Katsuragi, he begins to stray from the single-mindedness of his mission. He's never known love of any kind in his life and he doesn't know how to deal with Akihito or his own emotions. As despicable as Akihito's behaviour is, his very forcefulness turns out to be his redeeming feature as nothing less will get through to the Katsuragi so entrenched in the belief that he must fulfil his duties to prove his worth.
This second volume is all about the romantic storyline and it's developing into a strong one; unfortunately, this happens at the expense of everything else. To put it bluntly, Hidaka just isn't very good at writing intrigue. The plot requires Katsuragi to be a manipulator but the bare bones scenes of him wheeling and dealing in business and society are not particularly interesting. There's a distinct weakness in the secondary characters. Their sole purpose is to provide information about Katsuragi and Akihito and there is not a single one that I find interesting in and of themselves. Anything of consequence that happens in the plot, and there is very little that does happen, only occurs in order to further the romantic storyline. The result is that whenever the story strays from the romantic thread, it becomes rather dull and has the feel of a mandatory scene required to move the plot along. However, Katsuragi and, to a lesser extent, Akihito are strong enough characters that they carry the story comfortably, enough so that the slower patches of the narrative can be endured for the sake of learning more about the pair.
On the romantic front, volume two has delivered and I look forward to seeing how this relationship unfolds. On the story front, I'm disappointed. The plot is thin and I see little hope of that improving. On the series as a whole so far, it's interesting but not exciting. I'll still continue reading but I doubt I'll be jumping on the fan bandwagon for this particular series.
~~~~~
There are some issues with the translation which I've written about in a separate post: here.
Labels:
Blue Morning,
Hidaka Shoko,
Hidaka Shouko,
Sublime,
Yuuutsu na Asa
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